We hope you will read, explore, and enjoy all the many essays. Share the issue with friends and family, consider submitting your work, subscribing (it’s free), and joining the Union of Maine Visual Artists. Please let us know if you have any comments or concerns about this issue or ideas for future publications. All feedback is valuable to us.
This August, the Maine Arts Journal was one of nine non-profit visual art journals to be awarded an unexpected grant from the Dorothea and Leo Rabkin Foundation of Portland, Maine, for general operating support. We are thrilled and grateful to be a recipient of this grant and proud to be in such great company with these other publications!
–From the Editors: Natasha Mayers, Nora Tryon, Kathy Weinberg, Véronique Plesch, Betsy Sholl (poetry editor), and Colby intern Andrew MacDonald.
Please click on cover image to go to the Introduction of the current issue.
Véronique Plesch – Introduction Summer 2025: Encounters
We are shaped by encounters and so is art. This issue explores the transformative significance of such events, and our contributors tell us about moments that had a profound, and often foundational, effect on them. We read about encounters with people, both living and...
Philip Brou – Baxter Koziol
Applying to art school typically requires a portfolio of ten to twenty images. This portfolio is usually completed in high school advanced placement art classes and should demonstrate artistic range, diligence, and an understanding of core compositional and...
Cynthia Motian McGuirl
My dreams hold a strong message from my ancestors to tell their stories. My maternal family line is Armenian. My grandmother survived the early 20th-century Armenian genocide in Turkey. Although I knew some stories about my relatives, they were laden with holes and...
Edgar Allen Beem – Samira Abbassy: Encountering Cultural Identities—Iranian, British, and American
Samira Abbassy’s personal and artistic odyssey began in Iran, where she was born in 1965, took her to England, where she moved with her family in 1967, and since 1998 has been focused on New York City and the United States. Though her paintings evidence a strong...
Tom Butler – I Became a Room
In lockdown, I became a room. I grew floors and walls, and sometimes ceilings. Mostly, I was a corner. People stood, ghosts floated, mice nibbled, and peepholes formed. Sometimes my walls and floors broke apart: wood splintered, joists groaned, and screws came loose....
Claire Millikin – Encountering Lucas Samaras’s and Leo Rabkin’s Post-traumatic Boxes
Earlier this spring, I visited the Rabkin Foundation, at 13 Brown Street in Portland, to attend a small gathering. The event took place amongst an evocative exhibit of postwar American artist Leo Rabkin’s two- and three-dimensional works, paintings and sculptures. In...
Stuart Kestenbaum – Breaking Free
Five months after graduating from college, I’d saved enough money substitute teaching at my old junior high school to pay for my round-trip airfare to Rome. I had my backpack with the rigid aluminum external frame and was ready to join my friends in Europe. Welcome to...
Scott Nash and Nancy Gibson-Nash
When we walk out of the door, we seek encounters: the moments that might just change our minds, or change our lives! When walking through the city, I often choose paths with the most foot traffic. When Nancy walks through the familiar woods and beaches on Peaks, she...
Alan Magee – My Berlin
There is, without doubt, a mysterious aspect to our individual destinies. The irrational but persistent sense that the design of our lives is somehow cosmically guided becomes more intriguing, and slightly plausible, in old age. Before that, we are too busy to bother...
Carl Little – Encounter in Amsterdam: Graffiti and Street Art at STRAAT
In a city filled with graffiti, Amsterdam is the perfect setting for a museum dedicated to street art. STRAAT, which opened in October 2020, showcases the work of street artists from around the world, each represented by a large-scale work, many of them created on...
Carl Little – Encounter: Mark Butler and the 100 Day Project
While touring England in April, my wife and I stopped in at the Mill Bridge Gallery in Skipton. Housed in one of the oldest dwellings in this market town in North Yorkshire, the gallery specializes in photography and sculpture and hosts an artist in residence. As luck...
Michael Winkler
I never had any plans to become an artist. My passion was music. In 1980, I was Managing Director of the Public Access Electronic Music Studio at a multidisciplinary contemporary art center in Seattle. On a rainy night in December of that year, I was at home in my...
Alan Crichton – Dreams of Reality: Gardens of the Heart—The Art of Joe, Lynn, and Max Ascrizzi
An Encounter I arrived at Green Acre Baha’i Center of Learning in Eliot, Maine, about 5:45 p.m. on Saturday 3 May, thinking I was quite a bit late for the opening. To my surprise, the huge hall was totally empty, except for a flock of hundreds of multi-colored origami...
Chris Crosman – Nicole Wittenberg: Cheek to Cheek
And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer. F. Scott Fizgerald, The Great Gatsby Encounters with art mean different...
Christopher T. Richards – Encounter: Man Mirror, Medieval Modern
In Jared French’s Prose, recently acquired by the Colby College Museum of Art, we witness an encounter between a man and a mirror. A nude, muscular, male figure stands before a large ovoid mirror, which faces outwards towards our space. The man stares into the mostly...
Véronique Plesch – Encounters Across Time
Strolling through Rome at dusk on 1 February 2024, I looked up and saw a street sign, Via di Pallacorda. Knowing that I was in the centro storico, the old part of Rome, and having just returned from leading a tour of Sicily where I got to show my group several works...
Ann Zill
Encounters can be accidental or intentional. They can be consequential in mightily important ways for good or ill—or they can be of no matter at all. We all get to have a mix of both in life. To the extent we can control and steer our encounters, those are gambles we...
Argy Nestor – Retired Art Teachers: What Do They Encounter After the Classroom?
Throughout their careers, art teachers are shaped by countless encounters—the lessons they teach, the students who grow through creating, the pride in school art exhibits, and the students they see in the community. For retired art teachers, leaving the classroom does...
Peggy Muir – Bryce Muir: What Artists Leave Behind
simply a cautionary tale for those left behind I have a small collection on a shelf—a wooden ear, a wooden finger, a wooden golf club, all the things that have come off my late husband's left behind sculptures during my moves. Most of his sculptures were under two...
Carol Bachofner – Poetry
In her poem, Letting Go of the Yard, the Sky, Carol Bachofner is really letting go of her mother as she imagines the stages of relinquishment her mother has passed through. It is an encounter with loss and death, but also an encounter with the many things the dying...
Brian Boyd – Poetry
Brian Boyd gives us an encounter on several levels. First it’s an encounter with history and the existence of palace and ecclesiastical prisons. Then there’s the encounter of the woman with her imprisoned partner and, it turns out, all the other inmates within...
UMVA Showcase – Summer 2025: Kelly Desrosiers, David Little, Brian Boyd
Kelly Desrosiers An encounter with ideas spawned the first art I made as a young adult. I was interested in and made artlike things as a child, but my rural northern Wisconsin school district's art programming was pretty dismal (and the science offerings were worse),...
UMVA Showcase – Summer 2025: Martha Fergusson, Marjorie Arnett, Ruth Sylmor
Martha Fergusson Nature, with its vast and expansive beauty, speaks to me. As a landscape painter, I spend a lot of time observing and sketching the world around me. With this series, Deep Water Horizon Encounters, I investigate my perceptions of our fragile...
UMVA Showcase – Summer 2025: Jean Noon, Leeann Rhoades, David Wade, Betsey Foster
Jean Noon As an artist and a farmer, I have been gifted with a particular opportunity to observe and experience the drama of our natural and built environment through all our amazing seasons. For many years, I have documented these experiences and have accumulated...
ARRT! Update – Summer 2025
ARRT! (The Artists’ Rapid Response Team!) works with progressive groups and organizations throughout Maine, providing images that can help to distill and clarify their important messages about issues that matter to people in Maine and the world beyond our borders....
LumenARRT! Update – Know Your Villains
LumenARRT! is a project of the Artists’ Rapid Response Team (ARRT!). We work through the Union of Maine Visual Artists (UMVA), a members’ organization that advocates for artists and furthers the work of progressive non-profits in the state of Maine. Our video...
UMVA Portland Update: Washed Away
Over 100 artists responded to the request for work for the Union of Maine Visual Artists (UMVA)’s latest juried show, Washed Away, at the Portland Public Library, which closed on 21 June. The work represents a variety of media, including painting, photography, mixed...
Tony Owen – Some Things Never Change
Art is a beast unto itself. It walks among us unnoticed, ignored by the masses, discounted by the media because it makes for anemic headlines, and yet fought over by those who make it. It has always been the case that art gets lost in the commonplace, the day to day...
MAJ Theme and Call for Submissions – Fall 2025: Thinking Through Making
For our fall issue, we are interested in hearing about your creative process: how does making affect your thinking? We hope you will share insights on how creation is a form of reflection that helps envision and shape new ideas. We look forward to hearing about the...
Véronique Plesch – Introduction Spring 2025: In Times Like These
The theme description that appeared in the winter issue of the Maine Arts Journal asked contributors to consider how their work and their role as artists reflect the times of upheaval we live in. We mentioned the global ruptures of climate change and wars, the erosion...
Ian Trask – Between Two Truths
I want to play a part in building a safer, more equitable, and empathic society—of that much I’m certain. What’s unclear to me is how exactly I should go about doing that. Where and how should I direct my energy? My inclination is to build a relatively small and...
Edgar Allen Beem – Tanja Hollander: Art As an Act of Empathy
Tanja Hollander is a photographer best known for her Are You Really My Friend? project in which she photographed all 430 of her Facebook “friends.” Neither pure portraits nor straight documentary photographs, Hollander’s Facebook pictures are conceptual images that...
Hale Linnet – Brazen Bandits
The Brazen Bandits are a newly formed artist collective of trans-non-binary artists in Southern Maine. Boots Shertzer (they/he), Sampson Spadafore (they/them), and Hale Linnet (they/them) met at a creative retreat organized by Maine TransNet in 2023, and have been...