Raquel Miller
A sketchbook as record, as vessel, as extension of brain, heart, hand, self. A sketchbook as friend. Sketchbook as diary, as devotion. A sketchbook as lens, as window, as mirror. A sketchbook as honesty. A sketchbook to soothe fear, to dream, to indulge, to wonder, to scream, to fantasize, to idealize, to hold. A sketchbook to hold, in messy palms, against paint-dashed fingertips; to carry against our chest, in back pockets, in tote bags and backpacks; to be coffee stained, wrinkled, torn, dented, and bent, wetted by rain or condensation from our drink. A sketchbook as protection. A sketchbook to be forgotten and, one day, opened again.
![Miller 01 Feb25th2024 Miller 01 Feb25th2024](https://i0.wp.com/maineartsjournal.com/wp-content/uploads/2024/06/Miller_01_Feb25th2024.png?resize=1080%2C778&ssl=1)
Raquel P Miller, Feb 25th 2024, graphite and acrylic in Royal Talens sketchbook, 16 x 11.5 in., 2024.
![Miller 02 HandOutlineandCemeterySketch Miller 02 HandOutlineandCemeterySketch](https://i0.wp.com/maineartsjournal.com/wp-content/uploads/2024/06/Miller_02_HandOutlineandCemeterySketch.png?resize=1080%2C794&ssl=1)
Raquel P Miller, Hand Outline and Cemetery Sketch, Graphite and acrylic in Royal Talens sketchbook, 16 x 11.5 in., 2024.
Judy Labrasca
I try to always have a small sketchbook with me when I travel so that I can make drawings and notes when I have a few minutes not otherwise engaged. The drawings that are the most fun to look at later are the ones done when I only had a minute or two (sometimes only a few seconds) to capture impressions of things I’d like to remember.
![LaBrasca 2 LeavingPortland LaBrasca 2 LeavingPortland](https://i0.wp.com/maineartsjournal.com/wp-content/uploads/2024/06/LaBrasca_2_LeavingPortland-scaled.jpeg?resize=1080%2C706&ssl=1)
Judy LaBrasca, Leaving Portland: On the Ferry to Peaks Island, Facing the Portland Skyline, micron pen and watercolor.
Sebastian Masters
Bruce Bulger
![Bulger 4 Travler's Mountain looking towards Baxter Bulger 4 Travler's Mountain looking towards Baxter](https://i0.wp.com/maineartsjournal.com/wp-content/uploads/2024/06/Bulger_4_Travlers-Mountain-looking-towards-Baxter.--scaled.jpeg?resize=1080%2C438&ssl=1)
Bruce Bulger, Traveler’s Mountain, looking towards Baxter, watercolor, 8.25 x 23 in., 2019 (photo: A. Ziner).
Image at top: Raquel P Miller, Human Beings Imprinted on the Sky, Posca marker and watercolor in Royal Talens sketchbook, 16 x 11.5 in., 2024.