Kathleen Noyes

The sanctuaries in my life are like a series of nesting dolls encompassing one another. I found an overarching sanctuary when I first came to Maine from California, from city life in San Francisco to the rural coast of this state.

Noyes 1 Girl in Pink

Kathleen Noyes, “Girl in Pink”, acrylic and collage, 30”x40”, 2018

I was enveloped by the rugged beauty and peace of this natural world, and fulfilled from living by the sea with my family.

Noyes 2 Hearing the Trees

Kathleen Noyes, “Hearing the Trees”, acrylic, 30”x40”, 2018

Within that rich environment I have found sanctuary in the solace of my quiet studio, a space where I am alone and able to explore my inner life and art unhampered. Here I find introspection while absorbed in a solitary creative journey.

Noyes 3 The Road

Kathleen Noyes, “The Road”, acrylic and collage, 18”x24”, 2017

My work is the outgrowth of the peace and safety I feel while painting in this space. Many of the figures in these paintings and collages seem to be focused inwardly in their own sanctuaries.

Top image: Kathleen Noyes, “Beyond”, acrylic and collage, 12”x12”, 2019

 

 

Roland Salazar

Salazar 1 untitled72

Roland Salazar, Untitled, Mixed Media on paper; 22 x 30; From the Series: Land, Sea & Sky: Maine 2012-2018

 

I am fortunate to have lived in Mexico in a high mountain, desert plateau region. In Maine I’ve lived very close to its turbulent sea. When I’m troubled, and my art work seems to have stalled, I seek the coast of Maine, areas free of human development.

 

Salazar 2 untitled72

Roland Salazar, Untitled, Mixed Media on hardboard;18 x 24; From the Series: Land, Sea & Sky: Maine 2012-2018

 

There I’m alone and with nature, and I’m able to  re-engage with my creative self. It has become more important than ever to seek these quiet personal enclaves along Maine’s expansive coast for self-examination, especially in today’s divisive political and social climate in America.

Salazar 3 untitled72 400x516

Roland Salazar, Untitled, Mixed Media on hardboard; 18 x 24; From the Series: Land, Sea & Sky: Maine 2012-2018

 

 

 

C E Morse

morse 1 treecross

C E Morse, Wooden Tree Cross, 2015, archival pigment on paper varying sizes: 12 x 8 – 36 x 24

 

The call for “Sanctuary” immediately brought to mind a trip to New Mexico where I visited many of the historical religious sites.

morse 2 chimaya 1

C E Morse, Chimaya, 2015, archival pigment on paper varying sizes: 12 x 8 – 36 x 24

 

The church has long been a sanctuary, and mankind has sought comfort in its shelter, community, writings, rituals, symbols, and its signs of hope: perhaps a halo in the sky?

morse 3 white cross

C E Morse, White Cross, 2015, archival pigment on paper varying sizes: 8 x 12 – 24 – 36