“Acknowledge native land.” This statement is written on unceded Wabanaki territory (nativeland-ca), on land taken from the Abenaki of western Maine and New Hampshire, and the Wabanaki tribes of Maine and the Maritimes, the people of Dawnland, that is, the Mi’kmaq, Maliseet, Penobscot, and Passamaquoddy tribes, who have suffered and continue to suffer from violence, pestilence, diaspora, trauma.

Libby 1 UnfinishedLandscapeAcknowledgeNativeLands copy

Maggie Libby, Unfinished Landscape: Acknowledge Native Lands, acrylic on canvas, 40 x 48 in., 2020.

 

What are my personal biases? How can I see and act on the structural inequities?

Morning pages, three longhand pages with coffee, first thing. How do I feel? How is it with me? Be outdoors, in the mountains, the woods, the garden with my hands in the earth, at the sea, or sliding paint across a surface. But the bad news grows, GROWS, GROWS. Sit, breathe.

Libby 2 AgiocochookMotherGoddessofthewind copy

Maggie Libby, K8daakwaj, Kawdahkwaj-Hidden Mountain Always in the Clouds, or Agiocochook—Home of the Great Spirit or Mother Goddess of the Storm (Mount Washington), acrylic, plastic spinning arrows on canvas, 40 x 48 in., 2019–2020.

 

Libby 3 InOutDrawaBreathSupporttheBreatheAct copy

Maggie Libby, In, Out, Draw a Breath, Support the Breathe Act (breatheact.org), charcoal, pastel over acrylic on canvas, 24 x 30 in., 2020.

 

Words are such slippery things. Used to hurt, help, deceive, manipulate, anger, calm, cause hope or despair; bind us, puzzle us, bring us to tears. Careful what you say. I prefer the dumbness and shouts of color, but then doubt creeps in and I erase it, question it, question everything. Question the beliefs, ideas, teachings, all our systems. Laws, schools, governments, banks; follow the money. You are different. You can’t have a house loan. Your property is not worth it. You can’t vote. You were in prison. You have a mental illness. You are unstable. You don’t conform. What do they want us to believe? Careful what you say. Don’t make Dad angry. It’s all your fault.

Libby 4 ScrapeItDry copy

Maggie Libby, Scrape It Dry, acrylic, palette knife on panel, 8 x 10 in., 2020.

 

Libby 5 FluidBoundariesEraseBorders copy

Maggie Libby, Fluid Boundaries, Erase Borders, charcoal, eraser over acrylic on panel, 8 x 10 in., 2020.

 

Police kill Black folks violently. Congress lets people starve. The president believes his ego is more important than hundreds of thousands of lives. We lock children and people of color into cages; judge, attack, and destroy. Everything.

Where are we? ON the ground. Breathe. Sit. Stay safe. It’s already here. Ground. The land. Give it back. How? At least acknowledge we are here as visitors, settlers who took the land from the tribes, learn more, be respectful. Breathe.

Libby 6 Drainandtrash copy

Maggie Libby, Drain and Trash, bottlecap, plastic over oil on panel, 6 x 8 in, 2019–2020.

 

Libby 7 Fireanddestruction copy

Maggie Libby, Fire and Destruction, California Burning, scraped oil on panel, 8 x 10 in., 2020.

 

What’s your bias? How were you formed, taught, trained? What traumas are there, falsehoods, what gigantic patriarchal systems of power and inequity have you bought into? Do you give in, lash out, think, work on it, learn, listen, support Black Lives Matter (https://blacklivesmatter.com/) and VOTE?

 

Image at top: Maggie Libby, Speak Out, charcoal, pastel over oil on panel, 8 x 8 in., 2020.