Word-Salad Wars

K.Weinberg, Night Road, photo

 Report from the Front Line.

I woke up this morning thinking about spam.

Since I began the Events/News and Newsletter pages of the Maine Arts Journal, I have also been marking off spam. Last week I emptied the folder at 2,500 plus entries, and after a weekend off there were 250 more to catch up with! I have seen into a gyre of mind-scrambling proportions. Vast distortions of reality threaten to engulf, enmesh and hobble my time and thoughts as I delete, delete and delete.

I woke up this morning at 2am knowing I would not get back to sleep. There is a war on. A war of words that are being puked out by drunk computers from the mind’s dungeon where writers of propaganda meet and mash up with algorithms and endlessly create fictitious names and accounts, attaching toxic links. Even worse is the some times rational voice that emerges and may find a soft landing in someone’s heart or mind. Earworms, heart strings, viral memes are being bombarded at our inbox. There are ominous rants from Holocaust deniers, men who want to boycott American women and promote third world sex slaves. There are messages in many languages, pages of characters directly from the tower of Babel. Some is computer gibberish, strings of brand names, random sentences and live links. There are awkward translations, broken English, robot English, praising the content of our small Arts Journal Blog site, promising to bookmark us and return. This compliment sounds like a threat.

Yesterday I brought this report to my team and we weighed the options. We decided to terminate the comments feature and cut ourselves free from the entanglement.
At 1800 hours I received this message:
“I took a deep breath and installed the plug-in to disable all comments. It means we lost the good ones from Spring too… I hope it works ok.”

Perhaps I will sleep better now, but I can still hear the distant clicking of keys, like the mandibles of an ant army scuttling over leaf and rock, streaming into my devices. Blocked, for now, by a thin veil of technology but there and just waiting for an opportunity, the slightest slip.

Then, before dawn, this note arrived from a friend.
“Somehow I keep thinking of this lately,” they said. It was a quote from Thucydides, an Athenian historian and general who chronicled the war between Sparta and Athens in the year 411 BC.

The regular meaning of words changed to fit the state of affairs. Insane risk was now bravery for an ally; careful forethought was cowardice; moderation was considered an excuse for being unmanly; circumspection was an unwillingness to commit; heedless attacks was termed manly behavior, and self-defense was a bland excuse for conspiracy.

The one seeking extreme action was considered trustworthy; anyone who spoke against him was suspicious. If you were a successful conspirator, you were smart; you were clever if you discovered a conspiracy. But if you made provisions against either situation, you risked dividing your party and living in fear of your opponents. It was simply the same whether you stopped someone from doing wrong or you discovered a new opportunity for wrongdoing.” Thucydides

Day is emerging now from night, the half moon setting, and Antares no longer visible. The sun will rise, and day will come.
The day will come.
In many ways, that day is already here.

From the Editors:

above: Emilie Stark-Menneg, Add Gulls, 2017, 48”x36”, acrylic and oil on canvas

“Regionalism: Maine Art and Artist

We are pleased to present the Fall 2017 issue “Regionalism: Maine Art and Artist”. A variety of artists and writers respond to the question: Is regionalism possible in a globally- connected environment? What does the term Maine artist mean in today’s art culture and is such a term meaningful at all? From Ed Beem, Marsha Donahue, Lucy Lippard’s words to the art and reflections of William Irvine,  Mary Armstrong, Emilie Stark-Menneg and many more, they all explore an in-depth discussion on a sense of place that is both unifying and unique. Marsden Hartley garners more than one mention as an artist who returned to and claimed Maine as his muse.

We received 21 UMVA members’ submissions for this issue, more than any other theme. We look forward to your submissions for the upcoming issues. The Journal themes change quarterly and so there are many opportunities for an artist to find a subject that suits their individual temperament. Check the guidelines for the theme of “Innervisions” for winter 2018 and consider contributing. The Journal includes chapter updates and issues concerning all members, and a UMVA Newsletter for artist opportunities that will be kept updated.

There is a News/Events selection on the menu that includes show listings of members and member-affiliated galleries and non-profit organizations, and includes open calls for art. Check the listings for ongoing updates and to get an idea of how much art there is going on around the state. The Journal is launching its own Facebook page, be sure to “Like” the page to get regular highlights of members art and ideas, excerpts from the Journal, and archives, and updates on current events.

We would like to welcome Kathy Weinberg to the editorial board of the Maine Arts Journal: UMVA Quarterly with her own words:

“I joined the UMVA because of the Journal. I like to communicate through writing and believe in publishing. As “The Fourth Estate” journalism has a high place in our society. Mix journalism with poetry and you get a sense of what the Journal aspires to. The Journal allows a variety of artistic points of view to be seen and is a beautiful showcase/ platform of the art that is, and has been made throughout the region. The Journal offers a forum where the artists voice can be heard and where ideas about art and the artistic life are shared.
I feel that being an artist in today’s society is by itself a quietly subversive act that I practice daily and by tending to my projects and visions affect the lives of others around me in this way. “   Kathy Weinberg, 2017

Enjoy this Fall issue with a cup of something warm in this season of change, introspection and added layers,

From the Maine Arts Journal Editorial Board,

Jeff Ackerman, Dan Kany, Natasha Mayers, Jessica McCarthy, Nora Tryon, Kathy Weinberg