Community
Fall 2022
The essays in this issue of the Maine Arts Journal confirm that Maine is a place where human connections flourish. The contributing artists highlight the impacts of community from the very personal to the global and show us how the arts are fundamental to community at every level. Read about their experiences, memories, collaborations, goals and passions about community and get fired up for the fall season!
From the Editors: Natasha Mayers, Nora Tryon, Véronique Plesch, Betsy Sholl (poetry editor), with the help of Colby interns Audrey Loo and Mads McDonough.
The MAJ is supported by the UMVA and by the generous contributions from the Rabkin Foundation and other donors. You can support us by becoming a UMVA member here.
Maine Arts Journal Fall 2022 cover (LumenARRT! and ARRT! at the Defend Democracy Anniversary rally on 6 January 2022 Monument Square, Portland; Veronica Perez, Braiding Circle (photo: Christian Kayiteshonga); Gulf of Maine EcoArts artists in preliminary stages of painting a sculpture of Ammen Rock.
Véronique Plesch – Introduction Fall 2022: Community
To state the obvious: we live in unsettling times. Perhaps for this reason, “community” is a word that seems to be on everybody’s lips these days, something that is clearly much needed. The essays gathered in this fall issue of the Maine Arts Journal show the...
Pam Burr Smith – About the UMVA
In 1975, when the UMVA started in Brunswick, we weren’t all simply artists, young and yearning. We were, most of us, hippies, as well, with all that that implied: long hair, loose clothes, old cars, and handmade almost everything. We made claim to the world around us...
Stephen Petroff – UMVA Bursts Fully-Formed From the Forehead of Zeus
Writer’s introductory note: Time sequences have been stirred like a pot, full of friends. After a long lifetime, we are “on a first-name basis.” I don’t know what I would have done without these people. That’s a cliché, behind which lies ten thousand days of a life’s...
Brita Holmquist – Long Ledge Retreat
I had the great joy of attending Anina Porter Fuller's artists’ week on Great Spruce Head Island in Fairfield Porter's summer house. When I returned to Islesboro where I spend my summers, I was bereft because going to the retreat was a one-time deal. So I was...
Elizabeth A. Jabar – Another World Is Possible
Building Bridges Through Art and Social Action “Movements are born of critical connections rather than critical mass.” Grace Lee Boggs What do the times require of us? This is a question I often use with my students, and I have established a daily...
Nora Tryon – Art in Community with ARRT! and LumenARRT!
Whether or not we are cognizant of our place in the teeming, streaming, tangled, living, swelling swampy mass of human evolution/history, we are it. It is us. Community exists. We impact and depend on each other. To thrive we need to learn from one another, our past...
Marguerite Kahrl – Towards a Common Goal: Relational Nests
Relational nests are social healing spaces that establish new relationships among living beings and places. Art can bring people together, outside of their realities, to participate in creating a narrative or relational experience. In the spring of 2021, I...
Lee Chisholm – Community and Climate Art
Community is not an inapt word for a group of environmentally-committed artists working together as Gulf of Maine EcoArts. Community describes a larger circle of organizations and individuals whose contributions are helping to realize EcoArts’ vision. And...
Lee Chisholm – Reflections on the Collaborative Process in EcoArts
“Stronger together” is a phrase with truth in it. Armies, soccer teams, small businesses, social change movements—all many a group that can bear witness to that truth, and so can artists. With EcoArts, for example, our creative process for the last two years has...
Veronica Perez – Braiding Circle
Community is something I never thought I was deserving of. I wanted it so bad that I joined places and people I thought were community, and it always ended in heartbreak because structures like white supremacy prevented cross-cultural communication and understanding....
Claire Millikin – Indigo Arts Alliance
Fostering Maine’s African Diasporic Community in the Arts: Indigo Arts Alliance Indigo Arts Alliance was founded in 2018, launched in 2019, inspired from years of conversation between artist Daniel Minter and creative director, curator and business specialist...
Katie Bonadies – In Conversation with Kate Anker at Running With Scissors Art Studios
Community-building is essential to the experience and mission of Running With Scissors Art Studios (RWS). The studios inhabit over 16,000 square feet in a muraled industrial building in the East Bayside neighborhood of Portland, Maine. RWS is a closed-door work space,...
Anina Porter Fuller – Great Spruce Head Island Art Week, 1993–Present
Community as Place: Life-Changing Experience for Artists When I was asked to write about the Great Spruce Head Island Art Week which I founded and have directed for nearly thirty years, I realized actually how important this event has been both for me and for...
Véronique Plesch – Creating Community
Representing Community In Giuseppe Pellizza da Volpedo’s The Fourth Estate, we see three figures, two men and a woman holding a baby, walking ahead of a large group of people (about fifty of them can be counted), which stretches from side to side of a large...
Gianne Conard – Belfast Community
Noisemakers, broccoli headdresses, a baptism, and papier-maché breasts = art and community. Add in some performance art, a pageant, and parade, a baguette with eighty candles—and you have Bern Porter’s eightieth-birthday party in downtown Belfast, Maine on 9...
Writing in Community – Suzanne Langlois, Maureen Thorson, Dawn Potter, and Marita O’Neill
Writing in community takes many shapes in Maine. “Whitman on the Walls” was a recent event in Portland in which seven different films featuring people reading Walt Whitman poems were shown along with original poems written by a variety of local poets.That project is...
Stuart Kestenbaum – Along the Road
This afternoon I decided to go for a walk to clear my mind. It’s the same route—a nearly three-mile loop starting in Deer Isle village—that I took during the early days of the pandemic. Just starting out on the road I have a visceral memory of those early spring days...
Gwendolyn Loomis Smith – Travels to Maine and Back
Growing up northwest of Boston, my first intellectual community was Ralph Waldo Emerson, Louisa May Alcott, and the circle of Transcendentalists and abolitionists and suffragists tied into the Concord landscape, so that every stone wall, every reed of grass, every...
Hope Lord – Virtual Artist Residency Collaboration: Hope Lord and Pamela Moulton
The act of making art together for a common goal creates community. —Pamela Moulton My name is Hope Lord and I am a Visual Arts educator for RSU#38 at Maranacook Community Middle School in Readfield, Maine. I have been teaching art for the past twelve years,...
ARRT! Update – Fall 2022
ARRT! works with progressive groups and organizations throughout Maine, providing images that can help to distill and clarify their important messages about issues that matter to people in Maine and the world beyond our borders. On 23 April in Belfast ARRT!...
UMVA Chapter Reports
A New UMVA Chapter for the Midcoast: Based on positive responses to a recent survey of local artists, plans for reviving a Midcoast chapter are underway! The main focus of this newly formed group is to secure exhibition venues in addition to other activities to be...
Pat and Tony Owen – Beginnings/Endings
One of the things I miss about living in the great state of Maine are snowstorms—a good old Nor’easter—and waking up in the morning to discover that the leaden sky from the evening before opened and dropped a foot or more of white, the landscape leveled of all...
Theme and Invitation to Submit Winter 2023: Absence/Presence?
L’unica presenza era l’assenza. (The only presence was absence.) —Claudio Parmiggiani Acknowledging an absence makes it present. After all, these two notions are not mutually exclusive but rather, they enter into a fecund dialogue. How do you express absence? How do...