Introduction to the Summer 2018 Issue  

MAJ Summer 2018 Cover, includes detail of crayons in Kayla Mohammadi’s studio, Edgar Allen Beem photo

 
State of the Studio
What an artist does daily matters. The continuity of a steady studio practice is a place of invention and exploration, as—or more important than—putting on a show.
We asked the artists in this issue to tell us “What are you doing? What are you making?”  Are you staying on a course you have long ago established or have you recently started working in a new medium?  Are you suddenly working very large or getting small? Have figures emerged or has your work been consumed with geometry? Have you added color, or moved into monochromes? Does the outside world affect your studio life, or is your interior life reflected in your art? And was there a reason— or was it a whim— that brought you to your current direction?

Featured artist, Meghan Brady shares her experiences in studio residencies and scale. A studio visit with Ron Crusan explores his work, neighborhood and influences. John Bisbee talks about his new politically-charged art. Beth Wittenberg shares her thoughts on consumption, throw-away people, and being without a studio.  Pat Wheeler writes about how we can restore ourselves in troubled times. Sarah Stites reveals how drawing is her lifeline to her work. Sondra Bogdonoff writes about how her weaving is augmented and informed by painting and drawing. Tom Flanagan tells us that drawing connects him to the world and his sensibilities. Jim Chute shares his Conversations series and foreshadows our fall theme: Dialogue.
 
Member contributors include Sandy Olson who gets back into her studio and finds new inspiration. And Ruth Sylmor, Ken Kohl, Pamela Grumbach,Judith Allen-Efstathiou, Michelle Leier, Amy Pollien, Alanna Hernandez all share their art, thoughts and inspirations about the State of the Studio.

Janice Moore shares an account of her experience curating what became the  USM-LA Censorship story, and we include with it excerpts from letters written by John Ripton and Robert Shetterly with an essay on the topic by Dan Kany, and the National Coalition Against Censorship’s statement about the incident.

Regular contributor Edgar Beem writes about artists’ studios he has known. Dan Kany describes Henry Isaacs’ studio filled with brushes and small canvas “notes”.

Jane Bianco, Farnsworth Museum curator writes about the 19th century portraitist and landscape painter, James Hope.
Sarah Bouchard joins us as a guest contributor and interviews Michael Mansfield, the new executive director and chief curator of the Ogunquit Museum of  American Art about his personal artistic practice.

Dietlind Vander Schaaf contributes an essay from her place of inner contemplation and asks other artists what they are working on.

Our regular Poetry Feature introduced by Betsy Sholl presents  poems by Christian Barter and Dawn Potter.
Other regular features include: Insight/Incite about Krisanne Baker’s water activist residency in Malawi.

Richard Kane of Maine Masters talks about how he’d like to see those films used in the schools.  
 
ARRT! makes more banners, LumenARRT!  makes more projections, Portland and Lewiston UMVA chapters present reports.

The issue is full of many essays and artists to meet and explore, so find a porch, a hammock, or an armchair by a fire and curl up with the Maine Arts Journal on a fine, or foggy summer day!

From the editors,

Natasha Mayers, Dan Kany, Jessica Myer, Nora Tryon, Kathy Weinberg